Friday, 16 September 2016

Artist Biography

Artist Name- King J

Race- African American

Age- 19

Record Label- Tri-Angle Records

First Album Name- Born n Bred

First Hit Single- Day N Nite

Born 13th February 1997 in Brooklyn hospital centre. He was raised in Brooklyn, New York.

His Favorite Artists- J Coles, Drake, and Jay Z

Background Story- King J also know as Jacob King was born and raised in Brooklyn, New York. He was a church boy as he grew up with his single mother however as he grew up he became involve in gang actives and started selling drugs. At the age of 15 his best friend was shot jumping infront of a bullet ment for King . His friend had aspired to leave the drug business behind and become a musician. Upon dying King thought to take his friend's dreams with him and became a musician. At the age of 18 he finally found a record label and obtained his first hit song Day N Nite

Outfits: He normally wears rich designer clothing, with lots of expensive jewelry shown.




Director Analysis - Director X


Julien Christian Lutz (born 10/31/1975), better known as Director X or Little X is a Canadian music video director, he is the protege of Hype Williams and has been noted for his high-budget, visually distinctive music videos for, this year alone, popular music singles including: Zayn "Like I Would", Rihanna FT Drake "Work", and Fifth Harmony FT TY Dolla $ign "Work From Home". He is also has his own clothing line X Fit. He was born and raised in Toronto, Ontario and is of Trinidadian and Swiss descendant.

Zayn "Like I Would"

 Rihanna FT Drake "Work"

Fifth Harmony FT TY Dolla $ign "Work From Home"





Wednesday, 14 September 2016

Goodwins Theory

Technical Codes

Cinematography
As with all moving images in media, the camera plays a big role. How the image is displayed and sequenced has a significant impact on the meaning and on how the audience feel when watching the video.

Camera Movement: The angle and shot distance all needs to be analysed. The camera needs to have movement and shots for actions in the music video such as walking and dancing with choreography. Music videos would have close ups and show emphasised shots of the artist.

Editing
The most common form of editing associated with music videos are fast cuts and montages. Rendering music videos this way is to make the audience miss what happens in the video due to its fast pace. This will cause the audience to watch the video again which will generate more views. Some videos have slow pace and greater transitions to establish the mood.

Chroma key: The green/blue screen ca be used to create music videos nowadays. It is now easier and quicker to make music videos with modern technology.



Andrew Goodwin's writing in "Dancing in the Distraction Factory" showed his Theory

Goodwin had 8 main principles in his theory.

  1. Links between Lyrics and visuals
  2. Links between music and visuals (Complimentary, Contradicting or Amplification).
  3. Genre Characteristics ( e.g Stage Performance, Dance Routine)
  4. Intertextual Reference
  5. Notions of looking (Objectification of women)
  6. Voyeurism (direct gaze, other people looking at artist, insight into artist life, screen and mirrors) 
  7. Demands of the record label (Representations of the artist such as close ups)
  8. Performance based, Narrative based or Concept based music videos.

Drake - Hold On, We’re Going Home ft. Majid Jordan





Drakes music video falls into the genre of Hip- Hop. The video clearly shows the iconic values of a hip hop song through lifestyle showing of wealth and crew. This song is suppose to display Drakes affection for the girl of his dreams who has changed from in during the time he was chasing fame and fortune till the time he achieved it. During this time she changed from being a good girl to a bad one. Drake then relates to her telling her she can confide on him by mid video where Drake comes to rescue her. This signifies Drake saving her from her inner demons and the world that she got caught up in.

Friday, 9 September 2016

Drake - Energy





Drakes music video energy hits the public as controversial. This is because of the running list made of pop culture icons spoofed by Drake in his brilliant video. He included icons such as Barack Obama, Miley Cyrus, O.J. Simpson, Floyd Mayweather, Queen Elizabeth, Oprah, Lebron James and etc. Drake used a series of expertly done sight gags mixed with black and white shots of Drake and his crew holding court. He uses portrays the iconic figures as transmogrified Drake clones, bearing his hairstyle and face. Politicians, musicians, athletes even dead presidents. Drake spared no one a turn at the Drizzy impersonation factory. Fortunately each shot is so ridiculous that there couldn't possibly be cause for offense. It seems like the top Rapper was using the Music Video to make a statement, that he runs celebrity culture or possibly just having as much fun as he can, just because he can. The Video is creative, self-aware and professionally made. It was definitely one of the Top 5 music videos of the year. As funny as the video was it still showed iconic values of normal Rap music videos. This is portrayed with Drakes performing within the video surrounded by his gang/crew. It also show parts of the suburban ghetto.
The video uses eye level shots, and mid shots to portray Drake and his crew as well as impersonators.

Drake - Over





Drakes song "Its Over" one of the artist first music videos as he was rising up the charts lyrically was about his struggle between his old and new life. Before and after fame. 


Although this was a Hip-Hop/Rap music video the artist drake managed to challenge the iconic values of the hegemonic norms for this genres music videos. These iconic values that display the genre of the music is usual the showing of lavish, and half naked women. Instead the artist Drake uses one white room.. His lyrics stay to the genre however his video just portrays him a full white outfit with moving over him. This brings a feeling of nostalgic. It paints a picture that were entering his past. 

The video also shows Drake is torn between wholesome beauty and a seductive dancer. This could be used to show that life is moving so fast, even he cant keep up. The first part of the song is showing his old life. He requested the use of visuals that were emotion evoking. At the end of the song Drake must choose between two different women one representing his old life a wholesome beautiful girl and the other a more dangerous beautiful girl moving provocatively in the background representing his new life. Drake also in the video moves to other scenes where he is acting emotional with different backgrounds .

 The use of editing and fades becomes apparent through the colorful montages symbolizing confusion during the transition between the two lives. The video then escalates from beginning to end where he shows more emotion through out showing his involvement and commitment to his new life.
THe video uses shots centered on drake and giving him his USP which is his diversity in his music. 

Wednesday, 20 July 2016

Unit Brief

Unit Brief

Briefs

When centres choose briefs to offer to candidates, they should be guided by their strengths in terms of resources and expertise. Centres should also bear in mind the key areas: forms and conventions, production contexts, the role of technologies, audiences/users and representations.
The set briefs are as follows:

Print

Preliminary exercise: using DTP and an image manipulation program, produce the front page of a new school/college magazine, featuring a photograph of a student in medium close-up plus some appropriately laid-out text and a masthead. Additionally candidates must produce a DTP mock-up of the layout of the contents page to demonstrate their grasp of the program.

Main task: the front page, contents and double page spread of a new music magazine (if done as a group task, each member of the group to produce an individual edition of the magazine, following the same house style). Maximum four members to a group.
All images and text used must be original, produced by the candidate(s), minimum of FOUR images per candidate.

Video

Preliminary exercise: Continuity task involving filming and editing a character opening a door, crossing a room and sitting down in a chair opposite another character, with whom she/he then exchanges a couple of lines of dialogue. This task should demonstrate match on action, shot/reverse shot and the 180-degree rule.

Main task: the titles and opening of a new fiction film, to last a maximum of two minutes.
All video and audio material must be original, produced by the candidate(s), with the exception of music or audio effects from a copyright-free source. Both preliminary and main tasks may be done individually or as a group. Maximum four members to a group.

In all cases, candidates should be encouraged to see the evaluation as a creative task and the potential of the format chosen should be exploited through the use of images, audio, video and links to online resources. Marks should be supported by teacher comments and may be supported by other forms such as audio or video presentations.

In the evaluation the following seven questions must be addressed:
In what ways does your media product use, develop or challenge forms and conventions of real
media products?
How does your media product represent particular social groups?
What kind of media institution might distribute your media product and why?
Who would be the audience for your media product?
How did you attract/address your audience?
What have you learnt about technologies from the process of constructing this product?
Looking back at your preliminary task, what do you feel you have learnt in the progression from
it to the full product?

The production element and presentation of research and planning may be individual or group work (maximum group size is four candidates). Where candidates have worked in a group, the evidence for assessment may be presented collectively but centres will still assess candidates on an individual basis for their contribution to aspects of the work, from planning, research and production to evaluation.

G321 is marked and internally standardised by the centre and marks are submitted to OCR by a specified date, a sample is then selected for external moderation. The unit is marked out of a total of 100 marks: 20 marks for the presentation of the planning and research; 60 marks for the construction; 20 marks for the evaluation.